Armored Saint
Emotion Factory Reset
Band: Armored Saint
Album: Emotion Factory Reset
Label: Metal Blade Records
Release Date: May 22
Genre: Heavy Metal
Review by: Eric Valaer
For a band that has been around since way back in 1982, Armored Saint continue to thrive and write quality music. That alone says plenty. Plenty of bands from their era are either running on fumes, leaning too hard on nostalgia, or trying to sound younger than they are. Armored Saint, thankfully, are doing none of that on Emotion Factory Reset. This is a veteran heavy metal band still sounding hungry, still sounding sharp, and still very much capable of throwing down a proper album-length statement.
“Close to the Bone” opens the album with an interesting intro before charging straight into a main riff packed with high energy. You would not expect anything less from this band. Singer John Bush is in top form throughout the track, and really, throughout the entire album. Truth be told, the entire band sounds locked in from the start. The song carries that classic Armored Saint confidence: tough, melodic, and punchy without needing to overcomplicate things. The wah-wah guitar solo is excellent and gives the track an extra flash of personality right out of the gate.
“Every Man, Any Man” keeps the quality high. How Bush still retains this level of vocal control is mind-blowing. His voice has grit, command, and melody, but it never feels strained or forced. The chorus is sublime, one of those moments where the band’s experience really shows. They know when to push, when to pull back, and when to let a hook breathe. At the 3:24 mark, the band ratchets up the intensity, bringing in a harmony solo followed by some pulverizing riffing to close out the track in proper Saint fashion.
“Not on Your Life” hits the ground running. It offers pace, plenty of riffage, and great vocals. There are some modern influences that can be heard here, but this is still unmistakably the Armored Saint we all know. The song balances old-school heavy metal muscle with a more current edge, which keeps it from sounding like a band simply rehashing the past. It is energetic, direct, and built around the kind of riff-first attitude that has always served this band well.
“Hit a Moonshot” is the second single, and it earns that spotlight. The groove-laden half-time chorus is a standout, giving the song a thick, swaggering pulse. There is no shortage of saturated rhythm and lead guitars, and the whole thing lands with serious weight. It is one of the personal favorites on Emotion Factory Reset, and for good reason. The song has power, hooks, and just enough looseness in the groove to keep it from feeling too polished or stiff.
“Buckeye” is a wise place to slow things down. No, it is not a ballad, so nobody needs to start waving a lighter unless they really want to confuse the neighbors. Instead, “Buckeye” has a deliberate and confident grind. The chorus has real swagger thanks to Bush’s raspy yet melodic voice, and the song benefits from a little breathing room in the album’s sequencing. The slide solo is a nice wrinkle and fits well, adding a slightly different texture without pulling the track away from the band’s core sound.
“Compromise” manages to combine elements of punk, metal, and funk. That might sound like a strange mix on paper, but Armored Saint have the chemistry to make it work. The single-note riffing adds character to the song, giving it a lean, rhythmic quality. The solo section in the middle sizzles, while longtime bassist Joey Vera more than holds his own. Vera’s playing has always been one of the band’s secret weapons, and here he helps give the track its movement and bite.
“It’s a Buzzkill” lets the rhythm section set the tone. The infusion of blues and dissonance gives this song its identity, making it one of the more distinct cuts on the album. Lyrically, it is obvious that a certain lady brought down her boyfriend early and often. The track has a slightly nastier edge, and that works in its favor. It has attitude without becoming cartoonish, and the band gives it enough space to develop its own character.
“Throwing Caution to the Wind” features sixteenth-note riffing that sounds stellar. This tune and “Every Man, Any Man” share some similarities with the masterful album Symbol of Salvation, which is never a bad neighborhood to be hanging around in. Bush’s singing elevates the track, and the tapping solo gives it an extra lift. This is Armored Saint doing what they do best: combining muscle, melody, and smart musicianship without letting the song get buried under technical showboating.
“Ladders and Slides” brings the album back to some powerful grooving. The brief rests during the verses offer the vocals space, allowing Bush’s delivery to sit right up front where it belongs. Drummer Gonzo Sandoval shines bright here, giving the song drive and personality. His playing has always been a crucial part of the band’s feel, and on this track, he reminds you that groove is not just about playing hard. It is about knowing exactly where to place the punch.
“Bottom Feeder” offers a nice chunky riff, and the verses flow smoothly into the choruses. Speaking of the chorus, both guitarists manage to balance power chords and single notes, adding variety and keeping the arrangement interesting. The solo shows exceptional use of patience, bending, and whammy bar work. Rather than rushing to fill every second, the lead playing takes its time and lands with taste. That kind of restraint is another sign of a band that knows exactly what it is doing.
“Epilogue” closes the album without beating around the bush — no pun intended, but honestly, the pun walked right into the room wearing boots. The track has unwavering drive, and the instrumental section in the middle features thick palm-muting along with slick legato fretwork. It is a strong closer because it does not feel like an afterthought. Instead, it reinforces the album’s main strength: Armored Saint still have riffs, hooks, energy, and purpose.
Armored Saint followed up their previous album, Symbol of Salvation—sorry, Punching the Sky—with yet another haymaker in Emotion Factory Reset. They do not sound like they are interested in retiring from the music business anytime soon, and nor should they. This is a strong heavy metal record from a band that still understands how to write songs with grit, groove, melody, and character. Emotion Factory Reset proves that Armored Saint are not simply surviving on their legacy. They are still adding to it.